Thursday, September 30, 2010

Citi Commercial:

During this whole commercial, a son narrates his adventures with his dad in Norway. Folk music is playing in the background.

While a man says “So I asked my dad where he wanted to go for his 60th birthday. Norway, he said. The land of our ancestors.” Camera pans towards ship on the water. There are waves up close and there are mountains in the background. It cuts a tiny bit closer to the actual ship shortly after.

It zooms in on a father, who is older with gray hair and a beard, and son, who has dark hair and a beard, on the ship talking and smiling. The father is standing in front of the son and gestures while he talks. The son looks at him and smiles.

The father and son then are shown walking on a street towards the camera while consulting a guide book. Other people walk past them on the street

Camera cuts to son taking a picture of father by a guard to a house.

Pans to shot of mountains; camera looks shaky like it’s a home video.

Then shows father and son in a large room looking at a very large monument of a boat.

Then the camera zooms in on a Citi card being handed over a bar. This is the only shot without the father in it with the son.

The son has just ordered a round of drinks and carries them back to the table for his father. They make a toast to each other and to some other people at their table. There are many people in the shot but it focuses on the two men getting their drinks of beer.

Waiter serves the two food. Father and son are eating together at a local restaurant. Camera zooms in on their unappetizing fish meal, then zooms out to son pushing fish away.

Shows more mountains with the father and son standing on a ledge. The father is gesturing at the scenery. Camera looks professional again.

Cuts to father and son rowing away from camera on river with comical knit sweaters on. They are talking and look to be struggling with the oars.

Cuts to father and son taking a picture of themselves in front of a church.. They are posed right next to each other. They look at the camera quickly.

Faraway camera angle shows son and dad run into lake and jump in water. They stand up quickly and run back.

Shows dad dancing around with a woman in a Norwegian dress. He is surrounded by other women and dancers doing a similar dance while his son looks on and he laughs. There are other people in the background walking by. The camera is back in the “home video” looking style.

Camera then pans to a shot of the dad and son walking past book shelves.

They then turn a page in a large looking book and discover that they are actually not from Norway, but are Swedish. The son says, “And we discovered that we were actually Swedish.” At the moment that they discover this the camera pulls upwards to show their amazed faces as they stand at a desk reading documents.

The camera then pans quickly past a dock with rolling water in the background and cuts to an arm (the son’s) handing over a Citi card and reaching across the counter with it to purchase new tickets to Sweden. He says “Two tickets to Stockholm.” This is the other only shot where the son is alone in the picture without the father.

The son shows his father the tickets and briskly walks away while saying “Let’s go,” and the father smiles and laughs. They are now back in the picture together.

The father and son walk up the dock and board the ship with other passengers.

An accented voice replaces the son’s voice and tells how Citi helps people accomplish their adventures.

The camera pans to another ship embarking on the water

The screen then darkens to show Citi’s logo and it says, “What’s your story?” and “We’ll help you write it.”

HP “Lauren” Hands Commercial

The ad starts out with a bright yellow screen and the words “Windows… LIFE WITHOUT WALLS” on it; there is a windows logo in between the two phrases.

Camera cuts to shot of a girl’s torso. You can see her long dark and curly hair; she is wearing a blue dress with a light yellow ruffled sweater. She has a necklace on and some bracelets and a ring. Her nails are painted dark pink.

The girl opens a laptop that is hanging in mid air right in front of her.

She explains how she “was in a windows commercial and got a great HP7 computer.” She then touches the computer and it spins around towards her.

Out of the computer spirals a diagram of DNA and some scientific terms. She uses both hands to pull out pictures, a drawing of a pencil, and a couple other words like “thesis” and “biosynthesis” and a diagram of planets.

She spins the computer screen back towards the audience and pull open a window with her hands that has a movie on it, while she explains that she loves watching movies on her computer. The lights in the background dim.

She then pushes the movie away and pulls up a computer chat program with a man on it. He looks young, had dark hair and a beard. He says “Hi Lauren.” He is wearing a vest and tie and there is an office setting behind him.

She tells him that she’s in another HP commercial and he smiles.

The man disappears and is replace by a video of a red haired women in a green scarf buying a computer and then in a parking lot receiving cash. The woman laughs. The girl then closes her laptop and says that life is crazy, but she’s still a PC and she loves her HP. She then hugs her computer with both arms.

The camera angle then switches for the first time and shows that we have been watching Lauren on a HP laptop the whole time. The laptop we have been watching on spins around and the background on it changes from Lauren to a blue and gold background. We are told to “Choose the laptop that’s right for you” and the price pops up. A man’s voice tells us some computer capabilities and gives us a number to call or a website to visit. The Best Buy and Walmart logos both appear next to the price.

The screen then switches to a black silhouetted arm dropping the “hp” logo on to a black screen. Underneath it, the words “The computer is personal again” appear.

Ad Formal Analysis





-Camera shot close up at a woman on the side. She is smiling and pulling her necklace towards the camera. She has on a sun glass.
-Camera focuses on her from a bit of distance away walking towards the crowd. She is in the center and people are dancing to the side. She swings her head to the right.
-Camera cuts and zooms in a little more to the side of her face.
-She stands and pulls her hair pack with her right hand.
-Camera cuts again and she is looking somewhere else. Camera is behind her.
-Camera does a face shot again with her taking off her sun glasses. Her eyes are looking to the right and she looks over her shoulder at someone all the while having a small smile.
-Camera shoots at some bottled tea in a bucket full of ice with water.
-Camera shoots behind the girl. She is walking away with a bottle of tea behind her. At the right side, another girl holding a bottle looks at her.
-Camera shoots from above. She has her arm held up. Camera cuts again.
-Takes a shot at the side of her face again. She is looking over her shoulder. A light from the party shines on the upper left corner of her head.
-Camera cuts and shoots from behind her. She is in front of a pool and people are watching her.

-She holds a white sash above her vertically and dances down it. Everyone is in the shadows but she is in the light.

-Camera cuts again and she is sitting down with some people. Her head is over her shoulder and her eyes are looking down. Her mouth is opened a bit. She is holding a sparkler in her hand.

-Another camera cut and blurred close up at the girl's face while she's dancing.
-Camera cut and the camera is shooting at the girls waist. Her stomach is showing and she is shaking her body smoothly against it.
-A quick shot at her close up looking at the camera behind her left shoulder holding the bottle of tea next to her face.
-At another scene, people are using the white sash as a limbo stick. She brings both of her arms down as she breathes and attempts to go under the sash. People are clapping in the background.
-She puts her hands on her hips and sways down to the sash.
-Camera cut again and it is on a lower view close up to the girls face.
-She goes under the sash and looks at the camera smiling.
-She stands up and doesn't make it pass the sash.
-She kisses the pendant on her necklace and looks to the left.
-She attempts to go under it a second time. She has her hands on her thighs and she goes under while she holds her pendant.

-The crowd cheers her on and they all raise their bottles of tea in the air.

-The girl holds one finger up while going under the sash.

-Camera shoots at her face as she lets out a sigh of relief for almost fully going under the sash.

-Camera cuts and takes a shot at her breast just as she fully gets under the sash and accomplishes the limbo. Some Korean letters appear.

-She stands straight up and raises both of her arms above her head while clasping her hands.

-The crowd claps their hands.

-Camera cuts into her laughing happily because she has completed the limbo. She looks sweaty.

-Side shot of her drinking the bottle of tea with a light shinig to the side of her head. She raises her hand up.

-Camera cuts and she is holding the bottle next to her cheek and looking at the camera. Then she turns away and looks down.



-Two couples are in the front seat of a car.

-The girl is slouched on the seat.

-They are both making out with the girl's left hand around the guy's neck and her right hand holding his neck.

-The guy has his right arm around the girl's back and his left hand on her thigh.

-You can only see the upper body part of the guy who isn't wearing a shirt. He has a muscular build.

-The girl have on a white shirt and a pair of light colored shorts.

-Her left foot is "tippy toe-ing" and her right is just kind of laying there.

-On the black and white leather seats are paper homework and some books.

- It seems like the camera is shooting from the opened door of the car.

-Through the window behind them, we can see that it is dark out.

-The logo "A&F" appears on the upper right corner of the ad with something written under there but I'm unclear what it says.

-On the bottom left corner, the words "Back to School" in red are displayed.

Connection:

-Girl's center of attention and the girls with guys.

-Most of the girl's display a sexy posture.

-A lot of skin is shown on the girls.

-The main guy's are shirtless.

-The colors used in the advertising are dark. There's a lot of black and cool colors used.

-The girls in the ads are thin.

-The guy's in this ad have a muscular build.

Wednesday, September 29, 2010

Assignment #3: Formal Analysis

Due Sunday Oct 3 @ Midnight

Last week was show and tell, I asked you to pick 5 pieces of visual rhetoric and tell me why they interest you. This week your assignment is to do a FORMAL ANALYSIS of the advertisements that you’ve posted.

Definitions:
Formal: “of, pertaining to, or emphasizing the organization or composition of the constituent elements in a work of art perceived separately from its subject matter: (for example: a formal approach to painting; the formal structure of a poem.)”

Analysis: “the separating of any material or abstract entity into its constituent elements. (The opposite of synthesis)”


The Assignment

For TWO of the pieces that you’ve selected, create a list, as comprehensive as possible, of all the visual and language elements in ads/pieces of visual rhetoric that you’ve selected in the last post. Please be as detailed as possible. Also, where relevant, indicate the position of the detail in relation to other details.

Then write a final list of the elements that the other 3 pieces that you have selected share in common with the first two.

Your analysis need not tie the details together to produce a synthesis (since analysis is the opposite of synthesis), or to talk about the meaning of the pieces. That’s your job in the analytical paper that this assignment leads up to. This assignment is interested entirely in the signifier and not the signified. Your lists should read something like a transcript of every meaningful word and image that an advertisement is trying to give to you, without attempting to translate what each word/image means.

Please repost your initial advertisements so that the rest of us can see more easily what you're talking about. 

Let me give you an example from class—let’s return to the soap ad that I’ve shown twice already.

-         Camera focuses on a silver shell on white sand
-         Cuts to another shell, which forms a brown spiral, filmed from the top, in the center of the screen
-         Two cuts to a pinkish flower close up, from two different perspectives
-         Immediately cuts to a woman with brown hair wearing a grey dress, from the upper waist up. She’s standing slightly off center on the screen, arms crossed. Hair covers left eye. She opens her eyes slowly and looks at the camera with half open eyelids.
-         Background is a small room with many cross-shaped light holes.
-         Cuts again, she’s standing diagonal facing camera. Smiling.
-         Cuts again, she turns suddenly to face the camera. Hair whips around her shoulder.
-         Few more cuts. It looks as if her hair is blowing in the wind.
-         Cuts to slight hourglass shaped bottle in close-up. Says Palmolive Naturals. Delicate Fresh. 24h deodorant. An image of green olives in the lower left, and a curved line underneath.
-         Note: Bottle is occupies the same place on the screen as the woman did before.
-         Fast cut to woman applying deodorant in her armpit. The cuts to close-ups of green olives.
-         Then cuts to white fluid splashing.
-         Cuts to green leaves flying around against white background
-         Cuts to woman. This time she’s seen through the aperture of one of a cross-shaped opening. She’s dancing to the music.
-         Close up of her armpit
-         Waist-up shot of her looking back at the camera. Smiling.
-         Two more cuts. One of her inside the cross shaped opening dancing. Another of her looking out, at a position left of camera. These cuts are done to the beat of the music.
-         Cuts to her outside. Man wearing white shirt and grey slacks. They’re looking at each other. The front of her body is aimed directly at the screen. The man’s body is diagonal. She takes his hand and pulls him closer. The camera moves down a bit so that only what is below the neck is showing.
-         Cuts to an embrace. Man embraces her from behind. Arm around the waist. This is happening off center to the left. Same place on the screen as the Product Bottle, the Flower, and the first shot of the Woman. Her arms reach across around his neck. The lighting is coming from the upper left corner of the camera and from behind the characters (as shown by the shadows). The shot shows the characters chest and above.
-         The two turn toward the camera. Man looks at the camera sideways with his one visible eye. Woman doesn’t look up, her eyes are looking down and sideways
-         Cuts to upper chest and above close-up. A white light bathes the scene from behind the characters.
-         Cuts to product. Left off center, same place as the woman and the initial shot of the deodorant. We see the blue cap to the bottle this time. Blue background with shadows. Probably the longest shot in the ad.

Sunday, September 26, 2010

War (non)Visuals

The disconnect between America ideas of war and the realities of war can be stark. This disconnect is not something that those who make and profit from war want to fix. We face many societal constructs that sell war to us while simultaneously keeping the true horror of it away from our conscious minds. I would like to use this assignment to explore this phenomenon.

Rambo

If I’m going to discuss war in America, how can Rambo not be my first choice? John Rambo IS war. He has killed enough people to fill the Grand Canyon six times over. Charon, the ferryman of the river Styx, calls in sick to work whenever John Rambo picks up a machine gun, bow and arrow, machete, or spork; anything that can be used to kill a man. Just thinking about how deadly he is makes me want to log into iTunes and rent First Blood.

Call of Duty: World at War


This is a hilarious advert for CoD:WaW and Gamestop. Video games are a wonderful way to reinforce the disconnect between the reality of war and what we think of war. Games like CoD are important because they start the process of numbing us to war early on in our lives.

Marines




What would an American war be without marines? I choose this commercial because it’s just so silly. The new recruit has to overcome insane challenges before he can even get to the fight with the huge lava monster at the end. The commercial uses heroic and fantastical imagery to sell itself, and wisely avoids the use of the more realistic holy-shit-I-just-got-my-fucking-leg-blown-off-by-an-IED imagery. While the latter form is certainly more truthful about war, the former is more likely to get people into the recruiter’s office. Hoorah!

McCain


This is a video promoting John McCain’s presidential bid. It was not an official commercial for the McCain campaign. The reason that I include it, even though it was not an official campaign commercial, is that it uses McCain’s status as a POW to sell him. Though I would likely never have voted for McCain since I disagree with his politics, and even though this is not an official campaign ad, seeing this clip in 2007 may have been just enough to sway my vote. Just kidding, but you get my point.

War Bonds

You Can Put A Nazi Out Of The War!

I include this WWII advert selling war bonds because, frankly, it’s just awesome. Don’t you want to help America win the war? Don’t you want to run a Nazi through with your bayonet? It's 70 years later, and I still want to. Well, if you buy war bonds, that’s pretty much the same thing as eviscerating a Nazi. Well done, soldier.